Great storytelling at Camas Festival May 24-25
This year’s Camas Festival, held May 24-25, features Bill
Rossiter from Kalispell, MT, who has been singing and telling tall tales from
ranch life to fur trade era scandals for many years. Bill is scheduled at 12:30 p.m. at the Weippe Community Hall on
Saturday, May 25. Bill has been playing traditional finger-style guitar, autoharp
and old-time “clawhammer” banjo music in bars, concert halls and back rooms for
a really longtime. About his singing, reviewers have raved,
“Yikes!” as well as “Hmmmm,” and “What the…?” Sharon, Bill’s
wife, often joins him in his performances. She sings, sometimes plays bass, and
helps keep Bill on subject (he tends to ramble). Bill has been a farm laborer, railroad
brakeman, Capuchin friar, factory worker, carpenter, newspaper columnist,
editor, public relations flack, disk jockey, ghost writer and bartender. He was
a professor of literature and illiterature (folklore) for 25 years, retiring in
1999. He currently travels the Northwest, singing about railroads, heroes and
outlaws, the Irish immigration, the Civil War, mines and miners, cowboys, ranch
life, the Great Depression and other eras of American history.
With his wife, Sharon, he sings songs of courtship, love,
wedlock and deadlock from four centuries. He says he learned most of his songs
at his mother’s knee and other low joints. He holds the world record for the
most songs written about Spotted Knapweed: one.
Before going on the road as a soloist, he played with a
Milwaukee Dixieland band, “The Beer City Six,” which sank without a trace; he
then toured the U.S.
with a Denver bluegrass band, “Bear
Creek Canyon,”
which was beamed up to the mother ship during a lunar eclipse. His jug band, “The
Merrie Order of St. Bridget High-Steppers,” was run out of Greendale,
WI, for refusing to play “Feelings.”
He currently plays with “The Grin and Bear it String Clan,”
the “Rocky Mountain Rhythm Kings” Dixieland band and with “Note Worthy,” all of
which have thus far survived his presence.
Recently he’s given concerts for western and heritage museums,
ski and summer resorts, and art centers in Idaho,
Montana, Wyoming
and Nevada, town festivals and
heritage celebrations, concert series, cowboy poetry and storytellers’ festivals,
various clubs and organizations, reputable and otherwise, and exactly one
zillion grade and high schools. He is in demand as an after-dinner
speaker-entertainer throughout the Northwest.
Bill dislikes beets, has all his teeth, and likes old, weird
songs. When asked his age he claims to be 69.99 plus shipping and handling; and
although he does children’s programs and will fight for the right to sing
children’s songs, he refuses to sing songs about froggies and duckies.
This program is made possible in part by a grant from the
Idaho Humanities Council, the state based affiliate of the National Endowment for
the Humanities.
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